Margaret Atwood

February

February - meaning Summary

Winter's Small Domestic Reckonings

The speaker dwells in bleak February, using a household cat to meditate on mortality, desire, and survival. Domestic details—huddling, hunger, rival tomcats, and chimney smoke—become metaphors for sex, territory, and human self-destruction. Amid cold and despair the poem oscillates between dark humor and craving for comfort. In the end the speaker urges the cat to embody hope, expel death-mindedness, and summon the promise of spring and renewal.

Read Complete Analyses

Winter. Time to eat fat and watch hockey. In the pewter mornings, the cat, a black fur sausage with yellow Houdini eyes, jumps up on the bed and tries to get onto my head. It’s his way of telling whether or not I’m dead. If I’m not, he wants to be scratched; if I am He’ll think of something. He settles on my chest, breathing his breath of burped-up meat and musty sofas, purring like a washboard. Some other tomcat, not yet a capon, has been spraying our front door, declaring war. It’s all about sex and territory, which are what will finish us off in the long run. Some cat owners around here should snip a few testicles. If we wise hominids were sensible, we’d do that too, or eat our young, like sharks. But it’s love that does us in. Over and over again, He shoots, he scores! and famine crouches in the bedsheets, ambushing the pulsing eiderdown, and the windchill factor hits thirty below, and pollution pours out of our chimneys to keep us warm. February, month of despair, with a skewered heart in the centre. I think dire thoughts, and lust for French fries with a splash of vinegar. Cat, enough of your greedy whining and your small pink bumhole. Off my face! You’re the life principle, more or less, so get going on a little optimism around here. Get rid of death. Celebrate increase. Make it be spring.

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