Sight, Touch
Sight, Touch - meaning Summary
Light as Living Presence
The poem explores light as a living, mutable presence that shapes perception, bodies, and spaces. Through successive metaphors—stone, girl, woman, pitcher, hand—light animates objects and moments, links sight and touch, and creates self-reflection. It neither judges nor explains; instead it constructs symmetry, evokes desire, and folds time into itself. The closing line presents light as time reflecting on time, suggesting perception and temporality are inseparable.
Read Complete AnalysesLight holds between its hands the white hill and black oaks, the path that goes on, the tree that stays; light is a stone that breathes by the sleepwalking river, light: a girl stretching, a dark bundle dawning; light shapes the breeze in the curtains, makes a living body from each hour, enters the room and slips out, barefoot, on the edge of a knife; light is born a woman in a mirror, naked under diaphanous leaves, chained by a look, dissolved in a wink; it touches the fruit and the unbodied, it is a pitcher from which the eye drinks clarities, a flame cut in blossom, a candle watching where t he blackwinged butterfly burns; light opens t he folds of the sheets and the creases of puberty, glows in the fireplace, its flames become shadows that climb the walls, yearning ivy; light does not absolve or condemn, is neither just or unjust, light with impalpable hands raises the buildings of symmetry; light escapes through a passage of mirrors and returns to light: is a hand that invents itself, an eye that sees itself in its own inventions. Light is t ime reflecting on time.
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