Christmas Eve Under Hooker’s Statue
Christmas Eve Under Hooker’s Statue - meaning Summary
Christmas Under War’s Shadow
The poem juxtaposes Christmas Eve images with the lingering presence of Civil War violence and civic monuments. Lowell uses Hooker’s statue, rusting cannon and ruined plenty to show how war distorts tradition and everyday life. The speaker recalls poverty and disappointed gift-giving—stockings of stones, mouldy bread—suggesting generational loss and a stalled promise of renewal. It ends by yearning for a return of innocence when Christ becomes wanderer and child.
Read Complete AnalysesTonight a blackout. Twenty years ago I hung my stocking on the tree, and hell’s Serpent entwined the apple in the toe To sting the child with knowledge. Hooker’s heels Kicking at nothing in the shifting snow, A cannon and a cairn of cannon balls Rusting before the blackened Statehouse, know How the long horn of plenty broke like glass In Hooker’s gauntlets. Once I came from Mass; Now storm – clouds shelter Christmas, once again Mars meets his fruitless star with open arms, His heavy saber flashes with the rime, The war – god’s bronzed and empty forehead forms Anonymous machinery from raw men; The cannon on the Common cannot stun The blundering butcher as he rides on Time – The barrel clinks with holly. I am cold: I ask for bread, my father gives me mould; His stocking is full of stones. Santa in red Is crowned with wizened berries. Man of war, Where is the summer’s garden? In its bed The ancient speckled serpent will appear, And black-eyed Susan with her frizzled head. When Chancellorsville mowed down the volunteer, “All wars are boyish,” Herman Melville said; But we are old, our fields are running wild: Till Christ again turn wanderer and child.
1946
Feel free to be first to leave comment.