Inside Ayers Rock
Inside Ayers Rock - meaning Summary
Modern Interior of Sacred Rock
The poem describes the interior of Uluru/Ayers Rock as a brightly lit, commercialized tourist hub—cafeteria chairs, shopfronts, souvenir jars, a mannequin policeman and a staged "tribal" figure—rendered with wry understatement. Mundane, kit-like details sit beside reminders of deeper history: dusted coolabahs and fossils hint at ancient presence. The effect is a quietly ironic portrait of commodified sacred space and the tensions between spectacle and lasting natural time.
Read Complete AnalysesInside Ayers Rock is lit with paired fluorescent lights on steel pillars supporting the ceiling of haze-blue marquee cloth high above the non-slip pavers. Curving around the cafeteria throughout vast inner space is a Milky way of plastic chairs in foursomes around tables all the way to the truck drivers' enclave. Dusted coolabah trees grow to the ceiling, TVs talk in gassy colours, and round the walls are Outback shop fronts: the Beehive Bookshop for brochures, Casual Clobber, the bottled Country Kitchen and the sheet-iron Dreamtime Experience that is turned off at night. A high bank of medal-ribbony lolly jars preside over island counters like opened crates, one labelled White Mugs, and covered with them. A two-dimensional policeman discourages shoplifting of gifts and near the entrance, where you pay for fuel, there stands a tribal man in rib-paint and pubic tassel. It is all gentle and kind. In beyond the children's playworld there are fossils, like crumpled old drawings of creatures in rock.
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