Les Murray

Spermaceti

Spermaceti - meaning Summary

Sound Creates the World

The speaker describes sound as an active, world-making power, like a sperm whale’s sonar shaping and perceiving an oceanic medium. Vocal emissions both reveal and rebuild environments: they abrade and heal the ‘‘wall’’ of water or air, connect the singer to other lives, and protect against the crushing stillness of rock. The poem presents hearing and song as bodily, communal acts that produce knowledge, space, and ongoing structural order.

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I sound my sight, and flexing skeletons eddy in our common wall. With a sonic bolt from the fragrant chamber of my head, I burst the lives of some and slow, backwashing them into my mouth. I lighten, breathe, and laze below again. And peer in long low tones over the curve of Hard to river-tasting and oil-tasting coasts, to the grand grinding coasts of rigid air. How the wall of our medium has a shining, pumping rim: the withstood crush of deep flight in it, perpetual entry! Only the holes of eyesight and breath still tie us to the dwarf-making Air, where true sight barely functions. The power of our wall likewise guards us from slowness of the rock Hard, its life-powdering compaction, from ist fissures and streamy layers that we sing into sight but are silent, fixed, disjointed in. Eyesight is a leakage of nearby into us, and shows us the taste of food conformed over its spines. But our greater sight is uttered. I sing beyond the curve of distance the living joined bones of my song-fellows; I sound a deep volcano's valve tubes storming whitely in black weight; I receive an island's slump, song-scrambling ship's heartbeats, and the sheer shear of current-forms bracketing a seamount. The wall, which running blind I demolish, heals, prickling me with sonars. My every long shaped cry re-establishes the world, and centres its ringing structure.

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