T.S. Eliot

Burbank with a Baedeker

Bleistein With A Cigar

Burbank with a Baedeker - meaning Summary

Urban Decay and Cultural Mingling

The poem stages brief, cinematic vignettes in a port city, following figures like Burbank, Bleistein and Princess Volupine through travel, commerce and social intimacy. It juxtaposes elegant decay, theatrical display and economic exchange, suggesting cultural mixing, moral ambiguity and historical decline. Images of barges, canals and rats underline transience while characters’ gestures and occupations reveal class and identity tensions. The poem's mood is ironic, observant and slightly elegiac.

Read Complete Analyses

Burbank crossed a little bridge Descending at a small hotel; Princess Volupine arrived, They were together, and he fell. Defunctive music under sea Passed seaward with the passing bell Slowly: the God Hercules Had left him, that had loved him well. The horses, under the axletree Beat up the dawn from Istria With even feet. Her shuttered barge Burned on the water all the day. But this or such was Bleistein's way: A saggy bending of the knees And elbows, with the palms turned out, Chicago Semite Viennese. A lustreless protrusive eye Stares from the protozoic slime At a perspective of Canaletto. The smoky candle end of time Declines. On the Rialto once. The rats are underneath the piles. The jew is underneath the lot. Money in furs. The boatman smiles, Princess Volupine extends A meagre, blue-nailed, phthisic hand To climb the waterstair. Lights, lights, She entertains Sir Ferdinand Klein. Who clipped the lion's wings And flea'd his rump and pared his claws? Thought Burbank, meditating on Time's ruins, and the seven laws.

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