Leonard Cohen

Poem Analysis - The Law

Album Various Positions, 1984

Introduction: Acceptance and Inevitability

Leonard Cohen's "The Law" is a haunting meditation on consequences, acceptance, and the cold, hard reality of justice. The poem unfolds with a tone of resignation, lacking in self-pity yet steeped in an understanding of accountability. The speaker doesn't deny his actions, instead acknowledging the inescapable presence of the "law, arm, and hand." A subtle shift occurs as the poem progresses, moving from a personal admission of failure to a broader, almost cynical observation about the nature of the world.

Love and Loss in the Face of Consequences

One prominent theme in "The Law" is the intersection of love and loss within the context of accountability. The lines, "Now my heart's like a blister / From doin' what I do / If the moon has a sister / It's got to be you," reveal a deep affection and regret. The blistered heart suggests pain and exhaustion from the speaker's actions, while the metaphorical "sister" of the moon represents a love that is both powerful and perhaps unattainable. This love is juxtaposed with the speaker's fate, emphasizing the personal cost of his choices. The line "I'm gonna miss you forever" underscores the lasting impact of his actions, adding a layer of profound sadness to the acceptance of his punishment.

The Inevitability of Justice

The poem's central theme revolves around the relentless nature of justice, symbolized by the recurring phrase "There's a law, there's an arm, there's a hand." This phrase is not merely about legal repercussions but represents a more profound sense of cosmic order and consequence. The "law" signifies the established rules, the "arm" represents the power to enforce those rules, and the "hand" signifies the act of punishment itself. The repetition of this phrase throughout the poem reinforces the speaker's awareness that his actions have led him to this inevitable point. It suggests that justice, whether legal or moral, is an ever-present force, ultimately catching up with everyone.

Dirty Deals and the Absence of Mercy

The theme of moral corruption and the absence of mercy is developed through vivid imagery and direct statements. The line "Now the deal has been dirty / Since dirty began" suggests that the speaker is not alone in his transgression; corruption is inherent in the system or the world itself. His declaration, "I'm not asking for mercy / Not from the man / You just don't ask for mercy / While you're still on the stand," displays a stoic acceptance of his fate. It indicates a world where mercy is a rare commodity, particularly for those who stand accused. This refusal to seek mercy may also imply a sense of pride or defiance in the face of his circumstances.

Symbolism of the Angel and the Chain of Command

The final stanza introduces the potent image of falling "with my angel / Down the chain of command." The "angel" could represent innocence, idealism, or perhaps a partner in crime who shared the speaker's fate. The "chain of command" symbolizes hierarchical structures, potentially within the legal system or society as a whole, that dictate order and responsibility. Falling down this chain suggests a loss of grace, a descent into darkness, and a relinquishing of control. It raises an interesting question: Did the speaker fall because of his own actions, or was he pushed by the system itself? The ambiguity here adds a layer of complexity to the poem's message.

Conclusion: A Resigned Farewell

In conclusion, "The Law" is a poignant exploration of accountability, lost love, and the unyielding force of justice. Cohen masterfully uses imagery and repetition to create a sense of resignation and acceptance. The poem's significance lies in its unflinching portrayal of consequences, reminding us that actions have repercussions, and that even in the face of personal loss and systemic corruption, there is an undeniable law, an arm, and a hand that ultimately deliver justice. The final lines, tinged with both regret and a strange sense of peace, resonate long after the poem ends.

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