A High-toned Old Christian Woman
A High-toned Old Christian Woman - context Summary
Composed 1922, published 1923
Published in Stevens's 1923 collection Harmonium, the poem addresses a moralistic listener while arguing that poetry is a "supreme fiction" that converts both sanctity and bawdiness into aesthetic forms. Stevens stages rival moral codes as architectural and theatrical creations, showing their equal imaginativeness and consequences. The tone is satirical and defiant, defending poetic imaginations license to produce unsettling, playful effects rather than moral certainties.
Read Complete AnalysesPoetry is the supreme fiction, madame. Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns. We agree in principle. That's clear. But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets. Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones. And palm for palm, Madame, we are where we began. Allow, Therefore, that in the planetary scene Your disaffected flagellants, well-stuffed, Smacking their muzzy bellies in parade, Proud of such novelties of the sublime, Such tink and tank and tunk-a-tunk-tunk, May, merely may, madame, whip from themselves A jovial hullabaloo among the spheres. This will make widows wince. But fictive things Wink as they will. Wink most when widows wince.
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