The Pure Good of Theory
The Pure Good of Theory - context Summary
Published in 1942
This free-verse poem, published in 1942 as part of Notes Toward a Supreme Fiction, reflects Stevens’s late philosophical concerns. It dramatizes the conflict between mortal mind and relentless time, using recurring images (horse, walker, reader) to register temporal battering. The speaker then imagines a Platonic, timeless form as a possible refuge or ideal. The poem frames time as an antagonistic force that imagination seeks to transcend.
Read Complete AnalysesIt is time that beats in the breast and it is time That batters against the mind, silent and proud, The mind that knows it is destroyed by time. Time is a horse that runs in the heart, a horse Without a rider on a road at night. The mind sits listening and hears it pass. It is someone walking rapidly in the street. The reader by the window has finished his book And tells the hour by the lateness of the sounds. Even breathing is the beating of time, in kind: A retardation of its battering, A horse grotesquely taut, a walker like A shadow in mid-earth . . . If we propose A large-sculptured, platonic person, free from time, And imagine for him the speech he cannot speak, A form, then, protected from the battering, may Mature: A capable being may replace Dark horse and walker walking rapidly. Felicity, ah! Time is the hooded enemy, The inimical music, the enchantered space In which the enchanted preludes have their place.
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