The Great Hunger
I Clay is the word and clay is the flesh Where the potato-gatherers like mechanised scarecrows move Along the side-fall of the hill - Maguire and his men. If we watch them an hour is there anything we can prove Of life as it is broken-backed over the Book Of Death? Here crows gabble over worms and frogs And the gulls like old newspapers are blown clear of the hedges, luckily. Is there some light of imagination in these wet clods? Or why do we stand here shivering? Which of these men Loved the light and the queen Too long virgin? Yesterday was summer. Who was it promised marriage to himself Before apples were hung from the ceilings for Hallowe'en? We will wait and watch the tragedy to the last curtain, Till the last soul passively like a bag of wet clay Rolls down the side of the hill, diverted by the angles Where the plough missed or a spade stands, straitening the way. A dog lying on a torn jacket under a heeled-up cart, A horse nosing along the posied headland, trailing A rusty plough. Three heads hanging between wide-apart legs. October playing a symphony on a slack wire paling. Maguire watches the drills flattened out And the flints that lit a candle for him on a June altar Flameless. The drills slipped by and the days slipped by And he trembled his head away and ran free from the world's halter, And thought himself wiser than any man in the townland When he laughed over pints of porter Of how he came free from every net spread In the gaps of experience. He shook a knowing head And pretended to his soul That children are tedious in hurrying fields of April Where men are spanging across wide furrows. Lost in the passion that never needs a wife The pricks that pricked were the pointed pins of harrows. Children scream so loud that the crows could bring The seed of an acre away with crow-rude jeers. Patrick Maguire, he called his dog and he flung a stone in the air And hallooed the birds away that were the birds of the years. Turn over the weedy clods and tease out the tangled skeins. What is he looking for there? He thinks it is a potato, but we know better Than his mud-gloved fingers probe in this insensitive hair. 'Move forward the basket and balance it steady In this hollow. Pull down the shafts of that cart, Joe, And straddle the horse,' Maguire calls. 'The wind's over Brannagan's, now that means rain. Graip up some withered stalks and see that no potato falls Over the tail-board going down the ruckety pass - And that's a job we'll have to do in December, Gravel it and build a kerb on the bog-side. Is that Cassidy's ass Out in my clover? Curse o' God Where is that dog?. Never where he's wanted' Maguire grunts and spits Through a clay-wattled moustache and stares about him from the height. His dream changes like the cloud-swung wind And he is not so sure now if his mother was right When she praised the man who made a field his bride. Watch him, watch him, that man on a hill whose spirit Is a wet sack flapping about the knees of time. He lives that his little fields may stay fertile when his own body Is spread in the bottom of a ditch under two coulters crossed in Christ's Name. He was suspicious in his youth as a rat near strange bread, When girls laughed; when they screamed he knew that meant The cry of fillies in season. He could not walk The easy road to destiny. He dreamt The innocence of young brambles to hooked treachery. O the grip, O the grip of irregular fields! No man escapes. It could not be that back of the hills love was free And ditches straight. No monster hand lifted up children and put down apes As here. 'O God if I had been wiser!' That was his sigh like the brown breeze in the thistles. He looks, towards his house and haggard. 'O God if I had been wiser!' But now a crumpled leaf from the whitethorn bushes Darts like a frightened robin, and the fence Shows the green of after-grass through a little window, And he knows that his own heart is calling his mother a liar God's truth is life - even the grotesque shapes of his foulest fire. The horse lifts its head and cranes Through the whins and stones To lip late passion in the crawling clover. In the gap there's a bush weighted with boulders like morality, The fools of life bleed if they climb over. The wind leans from Brady's, and the coltsfoot leaves are holed with rust, Rain fills the cart-tracks and the sole-plate grooves; A yellow sun reflects in Donaghmoyne The poignant light in puddles shaped by hooves. Come with me, Imagination, into this iron house And we will watch from the doorway the years run back, And we will know what a peasant's left hand wrote on the page. Be easy, October. No cackle hen, horse neigh, tree sough, duck quack. II Maguiire was faithful to death: He stayed with his mother till she died At the age of ninety-one. She stayed too long, Wife and mother in one. When she died The knuckle-bones were cutting the skin of her son's backside And he was sixty-five. O he loved his mother Above all others. O he loved his ploughs And he loved his cows And his happiest dream Was to clean his arse With perennial grass On the bank of some summer stream; To smoke his pipe In a sheltered gripe In the middle of July. His face in a mist And two stones in his fist And an impotent worm on his thigh. But his passion became a plague For he grew feeble bringing the vague Women of his mind to lust nearness, Once a week at least flesh must make an appearance. So Maguire got tired Of the no-target gun fired And returned to his headland of carrots and cabbage To the fields once again Where eunuchs can be men And life is more lousy than savage. III . Poor Paddy Maguire, a fourteen-hour day He worked for years. It was he that lit the fire And boiled the kettle and gave the cows their hay. His mother tall hard as a Protestant spire Came down the stairs barefoot at the kettle-call And talked to her son sharply: 'Did you let The hens out, you?' She had a venomous drawl And a wizened face like moth-eaten leatherette. Two black cats peeped between the banisters And gloated over the bacon-fizzling pan. Outside the window showed tin canisters. The snipe of Dawn fell like a whirring stone And Patrick on a headland stood alone. The pull is on the traces, it is March And a cold black wind is blowing from Dundalk. The twisting sod rolls over on her back The virgin screams before the irresistible sock. No worry on Maguire's mind this day Except that he forgot to bring his matches. 'Hop back there Polly, hoy back, woa, wae, From every second hill a neighbour watches With all the sharpened interest of rivalry. Yet sometimes when the sun comes through a gap These men know God the Father in a tree: The Holy Spirit is the rising sap, And Christ will be the green leaves that will come At Easter from the sealed and guarded tomb. Primroses and the unearthly start of ferns Among the blackthorn shadows in the ditch, A dead sparrow and an old waistcoat. Maguire learns As the horses turn slowly round the which is which Of love and fear and things half born to mind He stands between the plough-handles and he sees At the end of a long furrow his name signed Among the poets, prostitutes. With all miseries He is one. Here with the unfortunate Who for half-moments of paradise Pay out good days and wait and wait For sunlight-woven cloaks. O to be wise As Respectability that knows the price of all things And marks God's truth in pounds and pence and farthings. IV April, and no one able to calculate How far it is to harvest. They put down The seeds blindly with sensuous groping fingers And sensual dreams sleep dreams subtly underground. Tomorrow is Wednesday - who cares? 'Remember Eileen Farrelly? I was thinking A man might do a damned sight worse …' That voice is blown Through a hole in a garden wall - And who was Eileen now cannot be known. The cattle are out on grass The corn is coming up evenly. The farm folk are hurrying to catch Mass: Christ will meet them at the end of the world, the slow and the speedier. But the fields say: only Time can bless. Maguire knelt beside a pillar where he could spit Without being seen. He turned an old prayer round: 'Jesus, Mary, Joseph pray for us Now and at the Hour.' Heaven dazzled death. 'Wonder should I cross-plough that turnip-ground.' The tension broke. The congregation lifted it head As one man and coughed in unison. Five hundred hearts were hungry for life- Who lives in Christ shall never die the death. And the candle-lit Altar and the flowers And the pregnant Tabernacle lifted a moment to Prophecy Out of the clayey hours Maguire sprinkled his face with holy water As the congregation stood up for the Last Gospel. He rubbed the dust off his knees with his palm, and then Coughed the prayer phlegm up from his throat and sighed: Amen. Once one day in June when he was walking Among his cattle in the Yellow Meadow He met a girl carrying a basket And he was then a young and heated fellow. Too earnest, too earnest! He rushed beyond the thing To the unreal. And he saw Sin Written in letters larger than John Bunyan dreamt of. For the strangled impulse there is no redemption. And that girl was gone and he was counting The dangers in the fields where love ranted He was helpless. He saw his cattle And stroked their flanks in lieu of wife to handle. He would have changed the circle if he could, The circle that was the grass track where he ran. Twenty times a day he ran round the field And still there was no winning-post where the runner is cheered home. Desperately he broke the tune, But however he tried always the same melody lept up from the background, The dragging step of a ploughman going home through the guttery Headlands under an April-watery moon. Religion, the fields and the fear of the Lord And Ignorance giving him the coward's blow, He dared not rise to pluck the fantasies From the fruited Tree of Life. He bowed his head And saw a wet weed twined about his toe. V Evening at the cross-roads - Heavy heads nodding out words as wise As the ruminations of cows after milking. From the ragged road surface a boy picks up A piece of gravel and stares at it-and then Tosses it across the elm tree on to the railway. He means nothing. Not a damn thing Somebody is coming over the metal railway bridge And his hobnailed boots on the arches sound like a gong Calling men awake. But the bridge is too narrow - The men lift their heads a moment. That was only John, So they dream on. Night in the elms, night in the grass. O we are too tired to go home yet. Two cyclists pass Talking loudly of Kitty and Molly? Horses or women? wisdom or folly? A door closes on an evicted dog Where prayers begin in Barney Meegan's kitchen : Rosie curses the cat between her devotions; The daughter prays that she may have three wishes - Health and wealth and love - From the fairy who is faith or hope or compounds of. At the cross-roads the crowd had thinned out: Last words were uttered. There is no to-morrow; No future but only time stretched for the mowing of the hay Or putting an axle in the turf-barrow. Patrick Maguire went home and made cocoa And broke a chunk off the loaf of wheaten bread; His mother called down to him to look again And make sure that the hen-house was locked. His sister grunted in bed The sound of a sow taking up a new position. Pat opened his trousers wide over the ashes And dreamt himself to lewd sleepiness. The clock ticked on. Time passes. VI Health and wealth and love he too dreamed of in May As he sat on the railway slope and watched the children of the place Picking up a primrose here and a daisy there - They were picking up life's truth singly. But he dreamt of the Absolute envased bouquet - AIl or nothing. And it was nothing. For God is not all In one place, complete Till Hope comes in and takes it on his shoulder - O Christ, that is what you have done for us: In a crumb of bread the whole mystery is. He read the symbol too sharply and turned From the five simple doors of sense To the door whose combination lock has puzzled Philosopher and priest and common dunce. Men build their heavens as they build their circles Of friends. God is in the bits and pieces of Everyday - A kiss here and a laugh again, and sometimes tears, A pearl necklace round the neck of poverty. He sat on the railway slope and watched the evening, Too beautifully perfect to use, And his three wishes were three stones too sharp to sit on, Too hard to carve. Three frozen idols of a speechless muse. VII 'Now go to Mass and pray and confess your sins And you'll have all the luck,' his mother said. He listened to the lie that is a woman's screen Around a conscience when soft thighs are spread. And all the while she was setting up the lie She trusted in Nature that never deceives. But her son took it as literal truth. Religion's walls expand to the push of nature. Morality yields To sense - but not in little tillage fields. Life went on like that. One summer morning Again through a hay-field on her way to the shop - The grass was wet and over-leaned the path - And Agnes held her skirts sensationally up, And not because the grass was wet either. A man was watching her, Patrick Maguire. She was in love with passion and its weakness And the wet grass could never cool the fire That radiated from her unwanted womb in that metaphysical land Where flesh was thought more spiritual than music Among the stars - out of reach of the peasant's hand. Ah, but the priest was one of the people too - A farmers son - and surely he knew The needs of a brother and sister. Religion could not be a counter-irritant like a blister, But the certain standard, measured and known By which man might re-make his soul though all walls were down And all earth's pedestalled gods thrown. VIII Sitting on a wooden gate, Sitting on a wooden gate, Sitting on a wooden gate He didn't care a damn. Said whatever came into his head, Said whatever came into his head, Said whatever came into his head And inconsequently sang. While his world withered away, He had a cigarette to smoke and a pound to spend On drink the next Saturday. His cattle were fat And his horses all that Midsummer grass could make them. The young women ran wild And dreamed of a child Joy dreams though the fathers might forsake them But no one would take them; No man could ever see That their skirts had loosed buttons, O the men were as blind as could be. And Patrick Maguire From his. purgatory fire Called the gods of the Christian to prove That this twisted skein Was the necessary pain And not the rope that was strangling true love. But sitting on a wooden gate Sometime in July When he was thirty-four or five He gloried in the lie: He made it read the way it should, He made life read the evil good While he cursed the ascetic brotherhood Without knowing why. Sitting on a wooden gate All, all alone He sang and laughed Like a man quite daft, Or like a man on a channel raft He fantasied forth his groan. Sitting on a wooden gate, Sitting on a wooden gate, Sitting on a wooden gate He rode in day-dream cars. He locked his body with his knees When the gate swung too much in the breeze. But while he caught high ecstasies Life slipped between the bars. IX He gave himself another year, Something was bound to happen before then - The circle would break down And he would carve the new one to his own will. A new rhythm is a new life And in it marriage is hung and money. He would be a new man walking through unbroken meadows Of dawn in the year of One. The poor peasant talking to himself in a stable door An ignorant peasant deep in dung. What can the passers-by think otherwise? Where is his silver bowl of knowledge hung? Why should men be asked to believe in a soul That is only the mark of a hoof in guttery gaps? A man is what is written on the label. And the passing world stares but no one stops To look closer. So back to the growing crops And the ridges he never loved. Nobody will ever know how much tortured poetry the pulled weeds on the ridge wrote Before they withered in the July sun, Nobody will ever read the wild, sprawling, scrawling mad woman's signature, The hysteria and the boredom of the enclosed nun of his thought. Like the afterbirth of a cow stretched on a branch in the wind Life dried in the veins of these women and men: 'The grey and grief and unlove, The bones in the backs of their hands, And the chapel pressing its low ceiling over them. Sometimes they did laugh and see the sunlight, A narrow slice of divine instruction. Going along the river at the bend of Sunday The trout played in the pools encouragement To jump in love though death bait the hook. And there would be girls sitting on the grass banks of lanes. Stretch-legged and lingering staring - A man might take one of them if he had the courage. But 'No' was in every sentence of their story Except when the public-house came in and shouted its piece. The yellow buttercups and the bluebells among the whin bushes On rocks in the middle of ploughing Was a bright spoke in the wheel Of the peasant's mill. The goldfinches on the railway paling were worth looking at - A man might imagine then Himself in Brazil and these birds the birds of paradise And the Amazon and the romance traced on the school map lived again. Talk in evening corners and under trees Was like an old book found in a king's tomb. The children gathered round like students and listened And some of the saga defied the draught in the open tomb And was not blown. X Their intellectual life consisted in reading Reynolds News or the Sunday Dispatch, With sometimes an old almanac brought down from the ceiling Or a school reader brown with the droppings of thatch. The sporting results or the headlines of war Was a humbug profound as the highbrow's Arcana. Pat tried to be wise to the abstraction of all that But its secret dribbled down his waistcoat like a drink from a strainer. He wagered a bob each way on the Derby, He got a straight tip from a man in a shop - A double from the Guineas it was and thought himself A master mathematician when one of them came up And he could explain how much he'd have drawn On the double if the second leg had followed the first. He was betting on form and breeding, he claimed, And the man that did that could never be burst. After that they went on to the war, and the generals On both sides were shown to be stupid as hell. If he'd taken that road, they remarked of a Marshal, He'd have … O they know their geography well This was their university. Maguire was an undergraduate Who dreamed from his lowly position of rising To a professorship like Larry McKenna or Duffy Or the pig-gelder Nallon whose knowledge was amazing. 'A treble, full multiple odds … That's flat porter … Another one … No, you're wrong about that thing I was telling you. . Did you part with your filly, Jack? I heard that you sold her.…' The students were all savants by the time of pub-close. XI A year passed and another hurried after it And Patrick Maguire was still six months behind life - His mother six months ahead of it; His sister straddle-legged across it: - One leg in hell and the other in heaven And between the purgatory of middle-aged virginity - She prayed for release to heaven or hell. His mother's voice grew thinner like a rust-worn knife But it cut venomously as it thinned, It cut him up the middle till he became more woman than man, And it cut through to his mind before the end. Another field whitened in the April air And the harrows rattled over the seed. He gathered the loose stones off the ridges carefully And grumbled to his men to hurry. He looked like a man who could give advice To foolish young fellows. He was forty-seven, And there was depth in his jaw and his voice was the voice of a great cattle-dealer, A man with whom the fair-green gods break even. 'I think I ploughed that lea the proper depth, She ought to give a crop if any land gives … Drive slower with the foal-mare, Joe.' Joe, a young man of imagined wives, Smiles to himself and answered like a slave: 'You needn't fear or fret. I'm taking her as easy, as easy as … Easy there Fanny, easy, pet.' They loaded the day-scoured implements on the cart As the shadows of poplars crookened the furrows. It was the evening, evening. Patrick was forgetting to be lonely As he used to be in Aprils long ago. It was the menopause, the misery-pause. The schoolgirls passed his house laughing every morning And sometimes they spoke to him familiarly - He had an idea. Schoolgirls of thirteen Would see no political intrigue in an old man's friendship. Love The heifer waiting to be nosed by the old bull. That notion passed too - there was the danger of talk And jails are narrower than the five-sod ridge And colder than the black hills facing Armagh in February. He sinned over the warm ashes again and his crime The law's long arm could not serve with time. His face set like an old judge's pose: Respectability and righteousness, Stand for no nonsense. The priest from the altar called Patrick Maguire's name To hold the collecting-box in the chapel door During all the Sundays of May. His neighbours envied him his holy rise, But he walked down from the church with affected indifference And took the measure of heaven angle-wise. He still could laugh and sing, But not the wild laugh or the abandoned harmony now That called the world to new silliness from the top of a wooden gate When thirty-five could take the sparrow's bow. Let us be kind, let us be kind and sympathetic: Maybe life is not for joking or for finding happiness in - This tiny light in Oriental Darkness Looking out chance windows of poetry or prayer. And the grief and defeat of men like these peasants Is God's way - maybe - and we must not want too much To see. The twisted thread is stronger than the wind-swept fleece. And in the end who shall rest in truth's high peace? Or whose is the world now, even now? O let us kneel where the blind ploughman kneels And learn to live without despairing In a mud-walled space - Illiterate unknown and unknowing. Let us kneel where he kneels And feel what he feels. One day he saw a daisy and he thought it Reminded him of his childhood - He stopped his cart to look at it. Was there a fairy hiding behind it? He helped a poor woman whose cow Had died on her; He dragged home a drunken man on a winter's night And one rare moment he heard the young people playing on the railway stile And he wished them happiness and whatever they most desired from life. He saw the sunlight and begrudged no man His share of what the miserly soil and soul Gives in a season to a ploughman. And he cried for his own loss one late night on the pillow And yet thanked the God who had arranged these things. Was he then a saint? A Matt Talbot of Monaghan? His sister Mary Anne spat poison at the children Who sometimes came to the door selling raffle tickets For holy funds. 'Get out, you little tramps!' she would scream As she shook to the hens an armful of crumbs, But Patrick often put his hand deep down In his trouser-pocket and fingered out a penny Or maybe a tobacco-stained caramel. 'You're soft,' said the sister; 'with other people's money It's not a bit funny.' The cards are shuffled and the deck Laid flat for cutting - Tom Malone Cut for trump. I think we'll make This game, the last, a tanner one. Hearts. Right. I see you're breaking Your two-year-old. Play quick, Maguire, The clock there says it's half-past ten - Kate, throw another sod on that fire. One of the card-players laughs and spits Into the flame across a shoulder. Outside, a noise like a rat Among the hen-roosts. The cock crows over The frosted townland of the night. Eleven o'clock and still the game Goes on and the players seem to be Drunk in an Orient opium den. Midnight, one o'clock, two. Somebody's leg has fallen asleep. What about home? Maguire, are you Using your double-tree this week? Why? do you want it? Play the ace. There's it, and that's the last card for me. A wonderful night, we had. Duffy's place Is very convenient. Is that a ghost or a tree? And so they go home with dragging feet And their voices rumble like laden carts. And they are happy as the dead or sleeping … I should have led that ace of hearts. XII The fields were bleached white, The wooden tubs full of water Were white in the winds That blew through Brannagan's Gap on their way from Siberia; The cows on the grassless heights . Followed the hay that had wings - The February fodder that hung itself on the black branches Of the hill-top hedge. A man stood beside a potato-pit And clapped his arms And pranced on the crisp roots And shouted to warm himself. Then he buck-leaped about the potatoes And scooped them into a basket. He looked like a bucking suck-calf Whose spine was being tickled. Sometimes he stared across the bogs And sometimes he straightened his back and vaguely whistled A tune that weakened his spirit And saddened his terrier dog's. A neighbour passed with a spade on his shoulder And Patrick Maguire bent like a bridge Whistled-good morning under his oxter And the man the other side of the hedge Champed his spade on the road at his toes And talked an old sentimentality While the wind blew under his clothes. The mother sickened and stayed in bed all day, Her head hardly dented the pillow, so light and thin it had worn, But she still enquired after the household affairs. She held the strings of her children's Punch and Judy, and when a mouth opened It was her truth that the dolls would have spoken If they hadn't been made of wood and tin - 'Did you open the barn door, Pat, to let the young calves in?' The priest called to see her every Saturday And she told him her troubles and fears: 'If Mary Anne was settled I'd die in peace - I'm getting on in years.' 'You were a good woman,' said the priest, 'And your children will miss you when you're gone. The likes of you this parish never knew, I'm sure they'll not forget the work you've done.' She reached five bony crooks under the tick - 'Five pounds for Masses - won't you say them quick.' She died one morning in the beginning of May And a shower of sparrow-notes was the litany for her dying. The holy water was sprinkled on the bed-clothes And her children stood around the bed and cried because it was too late for crying. A mother dead! The tired sentiment: 'Mother, Mother' was a shallow pool Where sorrow hardly could wash its feet … Mary Anne came away from the deathbed and boiled the calves their gruel. 'O what was I doing when the procession passed? Where was I looking? Young women and men And I might have joined them. Who bent the coin of my destiny That it stuck in the slot? I remember a night we walked Through the moon of Donaghmoyne, Four of us seeking adventure, It was midsummer forty years ago. Now I know The moment that gave the turn to my life. O Christ! I am locked in a stable with pigs and cows for ever. XIII The world looks on And talks of the peasant: The peasant has no worries; In his little lyrical fields He ploughs and sows; He eats fresh food, He loves fresh women, He is his own master As it was in the Beginning The simpleness of peasant life. The birds that sing for him are eternal choirs , Everywhere he walks there are flowers. His heart is pure, His mind is clear, He can talk to God as Moses and Isaiah talked The peasant who is only one remove from the beasts he drives. ' "The travellers stop their cars to gape over the green bank into his fields: - There is the source from which all cultures rise, And all religions, There is the pool in which the poet dips And the musician. Without the peasant base civilisation must die, Unless the clay is in the mouth the singer's singing is useless. The travellers touch the roots of the grass and feel renewed When they grasp the steering wheels again. The peasant is the unspoiled child of Prophecy, The peasant is all virtues - let us salute him without irony The peasant ploughman who is half a vegetable - Who can react to sun and rain and sometimes even Regret that the Maker of Light had not touched him more intensely. Brought him up from the sub-soil to an existence Of conscious joy. He was not born blind. He is not always blind: sometimes the cataract yields To sudden stone-falling or the desire to breed. The girls pass along the roads And he can remember what man is, But there is nothing he can do. Is there nothing he can do? Is there no escape? No escape, no escape. The cows and horses breed, And the potato-seed Gives a bud and a root and rots In the good mother's way with her sons; The fledged bird is thrown From the nest - on its own. But the peasant in his little acres is tied To a mother's womb by the wind-toughened navel-cord Like a goat tethered to the stump of a tree - He circles around and around wondering why it should be. No crash, No drama. That was how his life happened. No mad hooves galloping in the sky, But the weak, washy way of true tragedy - A sick horse nosing around the meadow for a clean place to die. XIV We may come out in the October reality, Imagination, The sleety wind no longer slants to the black hill where Maguire And his men are now collecting the scattered harness and baskets. The dog sitting on a wisp of dry stalks Watches them through the shadows. 'Back in, back in.' One talks to the horse as to a brother. Maguire himself is patting a potato-pit against the weather - An old man fondling a new-piled grave: 'Joe, I hope you didn't forget to hide the spade . For there's rogues in the townland. Hide it flat in a furrow. I think we ought to be finished by to-morrow. Their voices through the darkness sound like voices from a cave, A dull thudding far away, futile, feeble, far away, First cousins to the ghosts of the townland. A light stands in a window. Mary Anne Has the table set and the tea-pot waiting in the ashes. She goes to the door and listens and then she calls From the top of the haggard-wall : 'What's keeping you And the cows to be milked and all the other work there's to do?' 'All right, all right We'll not stay here all night ' Applause, applause, The curtain falls. Applause, applause From the homing carts and the trees And the bawling cows at the gates. From the screeching water-hens And the mill-race heavy with the Lammas floods curving over the weir A train at the station blowing off steam And the hysterical laughter of the defeated everywhere. Night, and the futile cards are shuffled again. Maguire spreads his legs over the impotent cinders that wake no manhood now And he hardly looks to see which card is trump. His sister tightens her legs and her lips and frizzles up Like the wick of an oil-less lamp. The curtain falls - Applause, applause. Maguire is not afraid of death, the Church will light him a candle To see his way through the vaults and he'll understand the Quality of the clay that dribbles over his coffin. He'll know the names of the roots that climb down to tickle his feet. And he will feel no different than when he walked through Donaghmoyne. If he stretches out a hand - a wet clod, If he opens his nostrils - a dungy smell; If he opens his eyes once in a million years - Through a crack in the crust of the earth he may see a face nodding in Or a woman's legs. Shut them again for that sight is sin. He will hardly remember that life happened to him - Something was brighter a moment. Somebody sang in the distance A procession passed down a mesmerized street. He remembers names like Easter and Christmas By colour his fields were. Maybe he will be born again, a bird of an angel's conceit To sing the gospel of life To a music as flightily tangent As a tune on an oboe. And the serious look of his fields will have changed to the leer of a hobo. Swaggering celestially home to his three wishes granted. Will that be? will that be? Or is the earth right that laughs haw-haw And does not believe In an unearthly law. The earth that says: Patrick Maguire, the old peasant, can neither be damned nor glorified: The graveyard in which he will lie will be just a deep-drilled potato-field Where the seed gets no chance to come through To the fun of the sun. The tongue in his mouth is the root of a yew. Silence, silence. The story is done. He stands in the doorway of his house A ragged sculpture of the wind, October creaks the rotted mattress, The bedposts fall. No hope. No lust. The hungry fiend Screams the apocalypse of clay In every corner of this land.