William Carlos Williams

The Rose

The Rose - meaning Summary

Love Refined Into Geometry

The poem reframes the rose as both obsolete and persistently significant. Petals become edged, geometric elements that transmute into metal, porcelain and steel—symbols of a love that has ended yet is preserved in precise, almost architectural form. The speaker traces a paradox: fragility and cold rigidity coexist, and the petal’s edge launches an infinitesimal, uncontacting line that penetrates space. The image suggests endurance and abstraction replacing sentimental presence.

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The rose is obsolete but each petal ends in an edge, the double facet cementing the grooved columns of air ——The edge cuts without cutting meets ——nothing ——renews itself in metal or porcelain —— whither? It ends —— But if it ends the start is begun so that to engage roses becomes a geometry —— Sharper, neater, more cutting figured in majolica —— the broken plate glazed with a rose Somewhere the sense makes copper roses steel roses —— The rose carried weight of love but love is at an end —of roses It is at the edge of the petal that love waits Crisp, worked to defeat laboredness ——fragile plucked, moist, half—raised cold, precise, touching What The place between the petal’s edge and the From the petal’s edge a line starts that being of steel infinitely fine, infinitely rigid penetrates the Milky Way without contact ——lifting from it ——neither hanging nor pushing —— The fragility of the flower unbruised penetrates space.

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