Philip Larkin

Mcmxiv

Mcmxiv - context Summary

Composed in 1964 About 1914

Larkin’s MCMXIV looks back from mid-20th century to the outbreak of World War I, painting a concise, elegiac portrait of prewar England. It catalogs ordinary street scenes, fashions, prices and rural order to evoke an atmosphere of naïve stability. That complacent world is implied to collapse with the war; the poem mourns the irreversible loss of innocence and the quiet human routines extinguished by historic rupture.

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Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day; And the countryside not caring The place-names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheats' restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages Lasting a little while longer: Never such innocence again.

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