John Ashbery

Elephant Visitors

time dreamlike

Elephant Visitors - meaning Summary

Fragmented Conversational Surrealism

Elephant Visitors presents a shifting, conversational monologue that moves between casual banter and disquiet. Two speakers trade aphorisms and questions about aging, survival, and anxiety—assassins, emergency parachutes, and domestic secrets appear alongside trivial trivia. The voice slips from intimacy to absurdity, combining ordinary gestures with surreal intrusions like a lotus declaring its manufacture. The poem traces a mood of hovering uncertainty and the attempt to remain present amid fragmented images.

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Sweet Young Thing: “Why are you all down in the mouth?” Testy Gent: “We’re all in the business of getting older, or so it seems; we’re moving on. The daytime approach can fail you. Sit on this moment, pause on this deck. What if the earth fell on you? But the dirty salad of lies, etc., about assassination is approaching. Something has not been found.” Here, try the gloom in this room. I think you’ll find it more comfortable now that the assassins have gone away. Or got away. Take a week and shut off the engines. But we do have to manage to stay here in the mountains, or at least hover, in place. There are things I still haven’t told you. What is the state flower of Nova Scotia? On whom do we depend when we twist downward tangled in the parachute and the ground is coming to greet us too quickly? That’s when you could use a newspaper, but try and find one in the prairie. I was muffled by the elegance of it all but now I’ll take one step if only to save myself, yes, and others. Doctors never tell you why these four-footed quadrupeds are friends, if only foul-weather ones. There’s a lot in envelopes, and in a hole behind the house, but if we think we’re better in this instance, give them something they WANT. Tasseled trees. Until which time we sign off—wait, the lotus wants to say something: it’s MADE IN JAPAN.

from Hotel Lautréamont (1992)
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