John Ashbery

Still Life with Stranger

memory free verse somber reflective

Still Life with Stranger - meaning Summary

Transient Scenes and Memory

Still Life with Stranger presents a calm, elliptical meditation on transience and remembered feeling. The speaker addresses Ulrich and contrasts a private love affair with vast, passing skies and quiet domestic images. Everyday objects and natural details accumulate both regret and grace, folding memory and imagination together. The poem moves between observed scene and psychological residue, suggesting that small storms inside a life echo larger, indifferent horizons.

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Come on, Ulrich, the great octagon of the sky is passing over us. Soon the world will have moved on. Your love affair, what is it but a tempest in a teapot? But such storms exude strange resonance: the power of the Almighty reduced to its infinitesimal root hangs like the chant of bees, the milky drooping leaves of the birch on a windless autumn day— Call these phenomena or pinpoints, remote as the glittering trash of heaven, yet the monstrous frame remains, filling up with regret, with straw, or on another level with the quick grace of the singing, falling snow. You are good at persuading them to sing with you. Above you, horses graze forgetting daylight inside the barn. Creeper dangles against rock-face. Pointed roofs bear witness. The whole cast of characters is imaginary now, but up ahead, in shadow, the past waits.

from Hotel Lautréamont (1992)
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