Poem Analysis - The Gardener 2 Ah Poet The Evening Draws Near

An Introduction to Engagement

Rabindranath Tagore's "The Gardener 2: Ah, poet, the evening draws near" is a reflective poem centered on the role of the artist in society, particularly as they age. The poem begins with an almost accusatory tone, questioning the poet's focus on the afterlife. However, it quickly transitions into a defense of earthly engagement, arguing for the importance of the poet's presence and service within their community. The mood shifts from contemplative to impassioned, ending with a firm declaration of purpose and connection. The poem ultimately champions the value of living fully in the present, immersed in the joys and sorrows of human experience.

The Artist's Purpose: Bridging Life and Death

One of the primary themes is the poet's role as a vital link between the mundane and the profound aspects of existence. The poem sets up a contrast between contemplating "death and the beyond" and actively participating in the lives of the villagers. The poet argues that their duty lies not in abstract philosophical pursuits, but in serving the immediate emotional and creative needs of the community. This is illustrated through the imagery of "young straying hearts" seeking music and a "wanderer" needing comfort. The poet sees themself as a necessary figure, providing solace, inspiration, and a voice to the voiceless, effectively acting as a bridge between individual experiences and shared humanity. If the poet were to remove themself, those needing their wisdom and talents would be left without the ability to find joy in the current struggles of their lives.

Mortality and Timelessness: The Poet's Paradox

The poem grapples with the theme of mortality, particularly the inevitability of aging. The opening line, "Ah, poet, the evening draws near; your hair is turning grey," explicitly addresses the poet's advancing age. However, the poet refutes the implication that age necessitates withdrawal. Instead, they claim to be "as young / or as old as the youngest / and the oldest of this village." This is not merely a statement of resilience, but a declaration of their enduring connection to the human experience. By sharing in the joys and sorrows of others, the poet transcends their own physical limitations and becomes an embodiment of timelessness. The phrase "what matter if my hair turns grey?" underscores the insignificance of physical aging in the face of their ongoing engagement with life.

Imagery of Dusk and Dawn: Cycles of Existence

The poem utilizes potent imagery of twilight and darkness to symbolize the passage of time and the presence of death. The "early evening star disappears," the "glow of a funeral pyre slowly dies," and "jackals cry in chorus from the courtyard of the deserted house" all contribute to a somber atmosphere. However, this imagery is not meant to evoke despair. Rather, it serves as a backdrop against which the poet's commitment to life shines even brighter. The contrast between the dying light and the poet's unwavering dedication highlights the importance of embracing the present moment and finding meaning in the face of inevitable decay. The poem could also be considered to show how death is simply the natural stage of life. Much like a poet will pass, the life and death cycle will continue on.

A Poet's Everlasting Relevance

In conclusion, "The Gardener 2" is a powerful affirmation of the artist's role as an active participant in the human drama. Tagore's poem presents a compelling argument against isolating oneself in contemplation of mortality, instead advocating for a life lived in service to others. Through vivid imagery and a shift from introspection to impassioned defense, the poem demonstrates how the poet's engagement with their community allows them to transcend the limitations of age and find enduring relevance. The poem's significance lies in its timeless message about the importance of empathy, connection, and the transformative power of art in the face of life's inevitable challenges. The question remains: can one truly contemplate "the beyond" without fully experiencing the "here and now"?