Isabel
Isabel - meaning Summary
Marriage as Moral Ideal
Tennyson presents Isabel as an idealized wife whose restrained beauty and chastity signify moral strength. The poem praises her clear intellect, prudent judgment, gentle counsel, endurance, and refusal of gossip, framing these traits as virtues that sustain and elevate others. Imagery compares her to a steady moon, a purifying stream, and a supportive vine, suggesting she embodies domestic charity, self-control, and a perfected, saintly femininity within marriage.
Read Complete Analyses1 Eyes not down-dropt nor over-bright, but fed With the clear-pointed flame of chastity, Clear, without heat, undying, tended by Pure vestal thoughts in the translucent fane Of her still spirit; locks not wide-dispread, Madonna-wise on either side her head; Sweet lips whereon perpetually did reign The summer calm of golden charity, Were fixed shadows of thy fixed mood, Revered Isabel, the crown and head, The stately flower of female fortitude, Of perfect wifehood and pure lowlihead. 2 The intuitive decision of a bright And thorough-edged intellect to part Error from crime; a prudence to withhold; The laws of marriage character’d in gold Upon the blanched tablets of her heart; A love still burning upward, giving light To read those laws; an accent very low In blandishment, but a most silver flow Of subtle-paced counsel in distress, Right to the heart and brain, tho’ undescried, Winning its way with extreme gentleness Thro’ all the outworks of suspicious pride; A courage to endure and to obey; A hate of gossip parlance, and of sway, Crown’d Isabel, thro’ all her placid life, The queen of marriage, a most perfect wife. 3 The mellow’d reflex of a winter moon; A clear stream flowing with a muddy one, Till in its onward current it absorbs With swifter movement and in purer light The vexed eddies of its wayward brother: A leaning and upbearing parasite, Clothing the stem, which else had fallen quite, With cluster’d flower-bells and ambrosial orbs Of rich fruit-bunches leaning on each other— Shadow forth thee:—the world hath not another (Though all her fairest forms are types of thee, And thou of God in thy great charity) Of such a finish’d chasten’d purity.
First printed in 1830. Lord Tennyson tells us that in this poem his father more or less described his own mother, who was a “remarkable and saintly woman”. In this as in the other poems elaborately painting women we may perhaps suspect the influence of Wordsworth’s Triad, which should be compared with them.
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