The Day-Dream - Part III - The Sleeping Beauty
The Day-Dream - Part III - The Sleeping Beauty - context Summary
Published in 1832
Part III of Tennyson’s early poem evokes a Sleeping Beauty tableau: a maiden lies in timeless, enchanted repose, described with rich, romantic, medievalized detail. The language fixes her as an ideal, motionless form—hair, coverlet, and jewels emphasizing stillness and eternal beauty. Published in 1832 within Poems by Two Brothers, the piece reflects Tennyson’s youthful fascination with medieval themes and poetic idealization.
Read Complete Analyses1 Year after year unto her feet, She lying on her couch alone, Across the purpled coverlet, The maiden’s jet-black hair has grown, On either side her tranced form Forth streaming from a braid of pearl: The slumbrous light is rich and warm, And moves not on the rounded curl. 2 The silk star-broider’dcoverlid Unto her limbs itself doth mould Languidly ever; and, amid Her full black ringlets downward roll’d, Glows forth each softly-shadow’d arm, With bracelets of the diamond bright: Her constant beauty doth inform Stillness with love, and day with light. 3 She sleeps: her breathings are not heard In palace chambers far apart. The fragrant tresses are not stirr’d That lie upon her charmed heart. She sleeps: on either hand upswells The gold-fringed pillow lightly prest: She sleeps, nor dreams, but ever dwells A perfect form in perfect rest.
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