Maud - Part 1 - 14.
Maud - Part 1 - 14. - context Summary
Published in 1855
This excerpt from Maud, Part I (published in the 1855 collection Maud, and Other Poems) situates the speaker outside Maud’s garden as desire and fantasy verge on trespass. The tone shifts from hopeful longing to uneasy dread, suggesting obsession and a fragile grip on reality. The passage exemplifies the poem’s wider preoccupation with love, intrusion, and moments where imagination slides toward madness.
Read Complete Analyses1 Maud has a garden of roses And lilies fair on a lawn: There she walks in her state And tends upon bed and bower And thither I climb'd at dawn And stood by her garden-gate; A lion ramps at the top, He is claspt by a passion-flower. 2 Maud's own little oak-room (Which Maud, like a precious stone Set in the heart of the carven gloom, Lights with herself, when alone She sits by her music and books, And her brother lingers late With a roystering company) looks Upon Maud's own garden gate: And I thought as I stood, if a hand, as white As ocean-foam in the moon, were laid On the hasp of the window, and my Delight Had a sudden desire, like a glorious ghost, to glide, Like a beam of the seventh Heaven, down to my side, There were but a step to be made. 3 The fancy flatter'd my mind, And again seem'd overbold; Now I thought that she cared for me, Now I thought she was kind Only because she was cold. 4 I heard no sound where I stood But the rivulet on from the lawn Running down to my own dark wood; Or the voice of the long sea-wave as it swell'd Now and then in the dim-gray dawn; But I look'd, and round, all round the house I beheld The death-white curtain drawn; Felt a horror over me creep, Prickle my skin and catch my breath, Knew that the death-white curtain meant but sleep, Yet I shudder'd and thought like a fool of the sleep of death.
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