Alfred Lord Tennyson

The Lady of Shalott - Part II

The Lady of Shalott - Part II - form Summary

A Ballad's Enclosing Rhythm

Presented as a ballad, Part II uses regular stanzas and a recurring refrain to sustain a simple, storytelling rhythm. This steady form frames a confined, narrated world: the Lady watches life only through a mirror while weaving, and the repeated line names her as both subject and chorus. The ballad’s relentlessness and repetition underscore her isolation and the distance between lived experience and reflected images.

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There she weaves by night and day A magic web with colours gay. She has heard a whisper say, A curse is on her if she stay To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott. And moving thro’ a mirror clear That hangs before her all the year, Shadows of the world appear. There she sees the highway near Winding down to Camelot: There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott. Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair’d page in crimson clad, Goes by to tower’d Camelot; And sometimes thro’ the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. But in her web she still delights To weave the mirror’s magic sights, For often thro’ the silent nights A funeral, with plumes and lights, And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; “I am half-sick of shadows,” said The Lady of Shalott.

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