Love Took Up The Glass Of Time - Analysis
FROM LOCKSLEY HALL
Introduction
This poem by Alfred Lord Tennyson mixes celebratory and elegiac tones: the opening stanzas speak of exuberant, almost mythic union, then the mood shifts to loss and lament. The language is richly musical and filled with vivid sensory images that move from brightness and motion to desolation. The speaker's address becomes personal and accusatory by the end, revealing emotional rupture.
Relevant context
Tennyson, a Victorian poet often concerned with love, memory, and mortality, frequently balances ceremonial language with intimate confession. Knowing his interest in classical imagery and musical metaphors helps explain the poem's elevated diction and symbolic instruments.
Main themes: Love, Time, and Loss
Love appears as an active, shaping force: Love “took up the harp of Life” and “smote” chords, suggesting creative, transformative power. Time is embodied by the “glass of Time” and golden sands, linking love to transience—moments that run out even as they glitter. Loss and alienation close the poem; the repeated “dreary” and “barren” mark a turn from vitality to emptiness, signaling that the earlier union has been broken.
Imagery and symbolism
The poem’s recurring images—the glass of Time, golden sands, harp, moorland, waters, and ships—serve multiple functions. The glass of Time and sands emphasize impermanence and the preciousness of each moment. The harp and “chord of Self” link identity to music: love alters the self so profoundly it “pass'd in music out of sight,” suggesting dissolution into shared feeling. Natural settings (copse, moorland, waters) underscore sensory richness during the relationship, while the final repetition of “dreary” and “barren” in those same landscapes converts them into symbols of grief and abandonment.
Voice and address
The speaker moves from descriptive, almost omniscient lines about Love’s actions to a direct, accusatory apostrophe—“O my cousin, shallow-hearted! O my Amy, mine no more!”—which makes the loss personal and moral. The contrast between the impersonal mythic opening and the intimate close intensifies the sense of betrayal and sorrow.
Concluding insight
Tennyson fuses romantic imagery and musical metaphors to show how love can both ennoble and erase the self, while time transforms joy into desolation. The poem’s final repetition leaves the reader with a stark image of emptied landscapes, suggesting that when love fails, even the most fertile scenes become barren.
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