Alfred Lord Tennyson

The Day Dream Part I Prologue - Analysis

Introduction

The poem is a gentle, intimate address in which the speaker recounts a drifting hour of imaginative reverie. Its tone is dreamy, admiring, and slightly playful, shifting from quiet observation to an eager invitation to share a vision. The mood remains warm and reflective, punctuated by a light self-awareness about the act of poetic creation.

Relevant context

Written by Alfred Lord Tennyson in the Victorian period, the poem reflects that era's interest in imagination, artifice, and refined social interaction. Tennyson's reputation for polished lyricism and for exploring the interplay of feeling and fancy shapes the speaker's courteous, cultivated voice.

Main theme: Imagination and daydreaming

The poem centers on the creative faculty of daydreaming: the speaker watches Lady Flora and "went thro’ many wayward moods" until a "legend past" takes shape. Phrases like "I too dream’d" and "Across my fancy, brooding warm" emphasize inner vision as a productive, warming force that transforms observation into narrative.

Main theme: Art and making

Art emerges as collaborative and tangible: the speaker asks Lady Flora to "take the broidery-frame" and add "A crimson to the quaint Macaw," linking verbal storytelling to material craft. The coupling of embroidery and narration suggests that artistic creation is a shared, decorative act that complements the speaker's poetic imagination.

Main theme: The gaze and its effects

The poem explores how being looked at shapes the creative moment. The speaker's attention is drawn to Lady Flora's "damask cheek" and "sister-eyelids," and he warns her not to meet his gaze—"Nor look with that too-earnest eye"—because her gaze disrupts his poetic order. The eye here is both inspiration and destabilizer.

Imagery and symbols

Recurring images—the "damask cheek," "sister-eyelids," the "quaint Macaw," and the "broidery-frame"—weave sensory texture into the poem. The damask cheek and eyelids evoke delicate beauty and sleep; the Macaw and crimson thread connote color, exotic detail, and the act of enlivening a canvas. Together they symbolize how external beauty and small domestic arts catalyze imaginative projection.

Concluding insight

In this prologue, Tennyson stages a miniature performance of poetic creation: attentive looking, inward reverie, and an invitation to co-create. The poem suggests that imagination turns a brief, observed moment into something richer, and that art—whether stitch or story—is an intimate, shared embellishment of life.

First published in 1842, but written in 1835.
default user
PoetryVerse just now

Feel free to be first to leave comment.

8/2200 - 0