None Is Travelling
None Is Travelling - form Summary
Economy of Image Focuses Moment
Basho assembles short haiku—each a compressed three-line moment—so imagery and seasonal cues stand in for explicit narrative. The strict brevity forces omission and juxtaposition, letting a single striking detail (a frog's splash, a heron’s cry, a lone leaf) evoke broader moods of travel, solitude, and impermanence. The form invites readers to complete the scene, turning brief sensory impressions into resonant associations rather than direct statements.
Read Complete AnalysesNone is travelling Here along this way but I, This autumn evening. The first day of the year: thoughts come - and there is loneliness; the autumn dusk is here. An old pond A frog jumps in - Splash! Lightening - Heron's cry Stabs the darkness Clouds come from time to time - and bring to men a chance to rest from looking at the moon. In the cicada's cry There's no sign that can foretell How soon it must die. Poverty's child - he starts to grind the rice, and gazes at the moon. Won't you come and see loneliness? Just one leaf from the kiri tree. Temple bells die out. The fragrant blossoms remain. A perfect evening!
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