Still Life
Still Life - form Summary
Free Verse and Brisk Movement
This free-verse poem from the Smoke and Steel collection uses long, conversational lines and brisk rhythms to contrast motion and stillness across the prairie. Sandburg's narrator watches trains, villages, and livestock with detached, almost photographic calm, then shifts to a second, lyrical address where autumnal images and birds become a register of longing. The structure lets imagery and cadence carry meaning rather than formal rhyme or meter.
Read Complete AnalysesCOOL your heels on the rail of an observation car. Let the engineer open her up for ninety miles an hour. Take in the prairie right and left, rolling land and new hay crops, swaths of new hay laid in the sun. A gray village flecks by and the horses hitched in front of the post-office never blink an eye. A barnyard and fifteen Holstein cows, dabs of white on a black wall map, never blink an eye. A signalman in a tower, the outpost of Kansas City, keeps his place at a window with the serenity of a bronze statue on a dark night when lovers pass whispering. Sumach And Birds IF you never came with a pigeon rainbow purple Shining in the six o'clock September dusk: If the red sumach on the autumn roads Never danced on the flame of your eyelashes: If the red-haws never burst in a million Crimson fingertwists of your heartcrying: If all this beauty of yours never crushed me Then there are many flying acres of birds for me, Many drumming gray wings going home I shall see, Many crying voices riding the north wind.
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