Pan with Us
Pan with Us - context Summary
Published in 1916
Published in 1916 in Frost's Mountain Interval, "Pan With Us" imagines the pagan god Pan arriving in a New World landscape and finding his music and rites diminished. The poem contrasts pastoral, wild sounds with the absence of human habitations and traditional rituals, suggesting cultural and spiritual change. Pan recognizes that his pipes no longer move the land as they once did and faces the question of what his role can be in this altered world. Frost frames this encounter as a quiet, elegiac reflection on dislocation and the waning of older orders.
Read Complete AnalysesPAN came out of the woods one day,— His skin and his hair and his eyes were gray, The gray of the moss of walls were they,— And stood in the sun and looked his fill At wooded valley and wooded hill. He stood in the zephyr, pipes in hand, On a height of naked pasture land; In all the country he did command He saw no smoke and he saw no roof. That was well! and he stamped a hoof. His heart knew peace, for none came here To this lean feeding save once a year Someone to salt the half-wild steer, Or homespun children with clicking pails Who see no little they tell no tales. He tossed his pipes, too hard to teach A new-world song, far out of reach, For a sylvan sign that the blue jay’s screech And the whimper of hawks beside the sun Were music enough for him, for one. Times were changed from what they were: Such pipes kept less of power to stir The fruited bough of the juniper And the fragile bluets clustered there Than the merest aimless breath of air. They were pipes of pagan mirth, And the world had found new terms of worth. He laid him down on the sun-burned earth And ravelled a flower and looked away— Play? Play? —What should he play?
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