The Last Evening - Analysis
Introduction
This poem registers a quiet domestic moment overlaid with the imminence of war, producing a tone that shifts from intimate and reflective to tense and foreboding. The mood begins with a lyric, almost reverent focus on music and shared likeness, then fractures into distraction and the stark intrusion of military imagery. The final image leaves a chilling, unresolved note.
Contextual Resonance
Rainer Maria Rilke, an early 20th-century Austrian poet, often explores inner life against larger historical pressures. The poem's references to an army carrier-train, drum-beats, and a shako evoke the presence of war pressing into private space, reflecting how social and military upheaval can intrude on intimate relations.
Main Theme: Intimacy and Mirroring
The poem develops intimacy through the image of the man looking at the woman "almost as one might gaze into a mirror," and the line that her features are "filled / with his young features." This mirroring expresses deep emotional identification and a blending of self and other, intensified by the music, which makes his pain both visible and "more beautiful and seductive with each sound."
Main Theme: War and Mortality
War appears as an encroaching force—"the army's carrier-train was moving out, to war"—and bodily responses register its effect: "violent drum-beats of her heart." The poem links military accouterments to death through the concluding object, the "black shako with its ivory skull," which names mortality and the dehumanizing symbol of military life.
Main Theme: Art and Its Limits
The harpsichord and the man's playing anchor the scene in art, beauty, and emotional expression. Yet the art cannot fully protect against external reality: his playing stops and the image "broke apart," suggesting that music temporarily holds unity and meaning but is ultimately fragile against violence and change.
Symbols and Vivid Images
The mirror suggests identification, reflection, and doubling; when the image shatters, identity is destabilized. The harpsichord symbolizes aesthetic communion and memory. The most striking symbol is the "black shako with its ivory skull," which fuses military authority (shako) with death (skull), turning an object of uniform into a menacing emblem. The drum-beats function both literally and metaphorically, linking external military rhythm to inner bodily alarm.
Concluding Insight
Rilke compresses a private, elegiac scene and public violence into a single evening, showing how love, art, and selfhood are vulnerable to forces beyond them. The poem leaves the reader with the unsettling image of beauty interrupted by an emblem of death, inviting reflection on the fragility of human connection in times of conflict.
Feel free to be first to leave comment.