Poem Analysis - Song Of The Six Hundred

Initial Impression and Tone

Ezra Pound's "Song of the Six Hundred" presents a scathing critique of political corruption and the elite class. The poem's tone is sarcastic and mocking, using colloquial language to underscore the speaker's disdain for the subjects of the poem. The mood shifts from a mocking tone to a more reflective and critical one, particularly in the final stanzas, where the speaker's frustration and disillusionment become more apparent.

Historical and Social Context

Ezra Pound, an American expatriate, was known for his involvement in modernist literature and his controversial political views. The poem likely reflects the social and political climate of early 20th-century Britain, where issues of class struggle and political corruption were prevalent. The "six hundred beefy men" likely refer to the members of the House of Lords, a group often criticized for their privilege and detachment from the common people.

Themes of Corruption and Class Struggle

The poem's primary theme is the corruption and inefficacy of the political elite. The repeated phrase "We are 'ere met together" emphasizes the regularity and predictability of the elite's actions, highlighting their lack of genuine effort or innovation. The imagery of the "six hundred beefy men" suggests a group that is more concerned with maintaining their own comfort and power than with serving the public good. The use of colloquial language and dialect further underscores the divide between the elite and the common people, emphasizing the theme of class struggle.

Imagery of Decay and Disillusionment

The poem employs vivid imagery to convey a sense of decay and disillusionment. The "high hats on the seats" and the "sprawling on the benches" suggest a lack of decorum and respect for the political process. The reference to a "Rowton 'ouse" and "small street stenches" evokes the grimy, impoverished conditions of the working class, contrasting sharply with the privileged lives of the elite. These images serve to highlight the stark inequalities and the disillusionment felt by those who are oppressed by the system.

The Symbolism of Britain as a Mother

The final stanzas introduce the symbol of Britain as a mother, who is asked if she has seen her "last sweet litter." This metaphor suggests that the current generation of political leaders is the last hope for the country, and that they are failing miserably. The mother's response, "They're me own," underscores the idea that the corruption and inefficacy of the political elite are deeply ingrained and perhaps even inevitable. This symbolism reinforces the poem's critique of the political system and the class structure that supports it.

Conclusion

"Song of the Six Hundred" is a powerful critique of political corruption and class struggle, using vivid imagery and colloquial language to convey a sense of disillusionment and frustration. The poem's themes of corruption, class struggle, and decay are reinforced through its use of symbolism and imagery, making it a poignant commentary on the political and social issues of its time. The final insight offered by the poem is that the problems it critiques are deeply rooted and may be difficult to overcome, highlighting the need for continued vigilance and reform.