Poem Analysis - Very Far From Here
Introduction: An Atmosphere of Decadence
Charles Baudelaire's "Very Far From Here" (presented here in multiple translations) paints a picture of decadent luxury and sensual languor. The poem's tone is initially one of reverence, almost religious, as it describes Dorothy's chamber. However, this quickly shifts towards a more critical and perhaps even cynical observation of the pampered existence she leads. The poem explores themes of artificiality, the objectification of women, and the emptiness that can exist even within the most opulent surroundings.
Decadence and the Objectification of Beauty
One of the poem's central themes is the artificiality and decadence of Dorothy's world. The repeated emphasis on adornment ("much adorned maiden," "richly dressed," "languorous frocks") and the meticulous care given to her physical appearance ("From head to foot, with greatest care / Her delicate skin is polished") highlight the superficiality of her existence. She is presented as an object of beauty, meticulously crafted and maintained. The environment itself reinforces this theme. The "sacred dwelling," the "sacred box," or the "sacred nest" all suggest a cloistered, almost unreal space, set apart from the natural world. This controlled environment is further emphasized by the "perfumed oil and benzoin," "odorous oils and rosemary," and "benjamin and oils as rare..." creating an atmosphere of artificial fragrance that overwhelms the natural scents.
The Isolation of Privilege
The poem also explores the theme of isolation, paradoxically arising from Dorothy's privileged position. While she is constantly attended to and surrounded by luxury, she seems emotionally detached. The phrase "Far off the breeze and waters sing" suggests that even nature's beauty is kept at a distance, existing solely for her amusement. The "fountains weeping" and "fainting song and rhythmic sobs" could symbolize the emotional emptiness that lies beneath the surface of her pampered life. Is she truly happy, or is she a prisoner of her own gilded cage? The repeated assertion that she's "always prepared" suggests a life not of freedom but expectation, of being forever ready to fulfil the desires of others.
Sensual Imagery and Symbolism: Flowers and Water
Recurring symbols and vivid images contribute significantly to the poem's overall message. The flowers, which "swoon in a corner" or are "faint with ecstasy," can be interpreted as symbols of Dorothy herself. Like the flowers, she is delicate, ornamental, and ultimately dependent on external factors for her existence. The image of water – the "fountains weeping," the "ponds and ripples," the "breeze and waters" – is also significant. Water often symbolizes emotion, and in this context, the controlled and distant nature of the water features reflects Dorothy's emotional detachment and the artificiality of her surroundings. The fact that they "sob" suggests a hidden sorrow or a suppressed longing for something more genuine.
Conclusion: An Empty Paradise?
In conclusion, "Very Far From Here" is a poignant exploration of decadence, objectification, and isolation. Through vivid imagery and symbolic language, Baudelaire creates a compelling portrait of a woman trapped within a world of artificial beauty and luxurious comfort. The poem raises questions about the true meaning of happiness and the potential for emptiness that can exist even in the most opulent circumstances. Is Dorothy a figure of envy, or is she a cautionary tale about the dangers of a life devoid of genuine connection and purpose?
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