Charles Bukowski

The Japanese Wife

The Japanese Wife - meaning Summary

Guilt, Memory, and Love

A speaker contrasts idealized "Japanese" women with harsh American women, then recounts a fraught relationship that mixes care, violence, and infidelity. A dramatic episode—being trapped under a bed by his partner and her sister—ends with her dying and forgiving him, which he immediately violates. The poem tracks his lingering shame and how small domestic objects, like Japanese prints, become fraught symbols of loss and postponed mourning.

Read Complete Analyses

O lord, he said, Japanese women, real women, they have not forgotten, bowing and smiling closing the wounds men have made; but American women will kill you like they tear a lampshade, American women care less than a dime, they've gotten derailed, they're too nervous to make good: always scowling, belly-aching, disillusioned, overwrought; but oh lord, say, the Japanese women: there was this one, I came home and the door was locked and when I broke in she broke out the bread knife and chased me under the bed and her sister came and they kept me under that bed for two days, and when I came out, at last, she didn't mention attorneys, just said, you will never wrong me again, and I didn't; but she died on me, and dying, said, you can wrong me now, and I did, but you know, I felt worse then than when she was living; there was no voice, no knife, nothing but little Japanese prints on the wall, all those tiny people sitting by red rivers with flying green birds, and I took them down and put them face down in a drawer with my shirts, and it was the first time I realized that she was dead, even though I buried her; and some day I'll take them all out again, all the tan-faced little people sitting happily by their bridges and huts and mountains- but not right now, not just yet.

default user
PoetryVerse just now

Feel free to be first to leave comment.

8/2200 - 0