Poetry Readings
Poetry Readings - meaning Summary
Rejection of Staged Poetry
Bukowski criticizes organized poetry readings as insular, performative rituals where hopeful but unremarkable poets bolster one another. He expresses shame for their staged mutual admiration and the pretensions of the small audiences. Preferring raw, everyday life over cultivated artifice, he insists on real, gritty figures—a drunk, a mailman, a waitress—rather than the self-important creators who, he argues, recycle modest talent in closed circles.
Read Complete AnalysesPoetry readings have to be some of the saddest damned things ever, the gathering of the clansmen and clanladies, week after week, month after month, year after year, getting old together, reading on to tiny gatherings, still hoping their genius will be discovered, making tapes together, discs together, sweating for applause. They read basically to and for each other, they can't find a New York publisher or one within miles, but they read on and on in the poetry holes of America, never daunted, never considering the possibility that their talent might be thin, almost invisible. They read on and on before their mothers, their sisters, their husbands, their wives, their friends, the other poets and the handful of idiots who have wandered in from nowhere. I am ashamed for them, I am ashamed that they have to bolster each other, I am ashamed for their lisping egos, their lack of guts. If these are our creators, please, please give me something else: a drunken plumber at a bowling alley, a prelim boy in a four-rounder, a jock guiding his horse through along the rail, a bartender on last call, a waitress pouring me a coffee, a drunk sleeping in a deserted doorway, a dog munching a dry bone, an elephant's fart in a circus tent, a 6 p.m. freeway crush, the mailman telling a dirty joke— anything, anything but these.
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