Walt Whitman

A Sight in Camp

A Sight in Camp - context Summary

Composed During the Civil War

Set at dawn in a military hospital camp, the speaker finds three bodies on stretchers and lifts their blankets. He identifies an elderly man, a young boy, and a serene young man whom he imagines as Christ—"dead and divine, and brother of all." The quiet, compassionate scene reflects Whitman’s experiences nursing soldiers and appears in his 1865 Drum-Taps collection, linking personal care to wartime loss.

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A SIGHT in camp in the day-break grey and dim, As from my tent I emerge so early, sleepless, As slow I walk in the cool fresh air, the path near by the hospital tent, Three forms I see on stretchers lying, brought out there, untended lying, Over each the blanket spread, ample brownish woollen blanket, Grey and heavy blanket, folding, covering all. Curious, I halt, and silent stand; Then with light fingers I from the face of the nearest, the first, just lift the blanket: Who are you, elderly man so gaunt and grim, with well-grey’d hair, and flesh all sunken about the eyes? Who are you, my dear comrade? Then to the second I step—And who are you, my child and darling? Who are you, sweet boy, with cheeks yet blooming? Then to the third—a face nor child, nor old, very calm, as of beautiful yellow-white ivory; Young man, I think I know you—I think this face of yours is the face of the Christ himself; Dead and divine, and brother of all, and here again he lies.

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