Sylvia Plath

Brasilia

Brasilia - meaning Summary

Motherhood Under Mechanization

Plath contrasts modern, mechanized imagery with intimate maternal vulnerability. The speaker pictures impersonal "super-people" while her infant suffers, evoking bodily pain, suffocation, and a sense of erasure. Rural, bloody imagery and a plea to spare the child create a protective, urgent voice. Religious echoes—dove, glory—complicate redemption and annihilation, leaving the mother’s desire to preserve her baby central against depersonalizing forces.

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Will they occur, These people with torso of steel Winged elbows and eyeholes Awaiting masses Of cloud to give them expression, These super-people! - And my baby a nail Driven, driven in. He shrieks in his grease Bones nosing for distance. And I, nearly extinct, His three teeth cutting Themselves on my thumb - And the star, The old story. In the lane I meet sheep and wagons, Red earth, motherly blood. O You who eat People like light rays, leave This one Mirror safe, unredeemed By the dove's annihilation, The glory The power, the glory.

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