William Butler Yeats

Coole Park and Ballylee

1931

Coole Park and Ballylee - meaning Summary

Memory Tied to Place

Yeats remembers Coole Park and Ballylee as landscapes of personal and cultural memory. Flowing water becomes the soul; the flooded lake, swan, woods, books and ancestral trees evoke past glory, domestic life and artistic heritage. The poem moves from vivid natural detail to elegiac recognition that the old romantic ideals and household continuities have faded. It registers loss—both of place and of a poetic tradition—without sentimentality.

Read Complete Analyses

Under my window-ledge the waters race, Otters below and moor-hens on the top, Run for a mile undimmed in Heaven's face Then darkening through 'dark' Raftery's 'cellar' drop, Run underground, rise in a rocky place In Coole demesne, and there to finish up Spread to a lake and drop into a hole. What's water but the generated soul? Upon the border of that lake's a wood Now all dry sticks under a wintry sun, And in a copse of beeches there I stood, For Nature's pulled her tragic buskin on And all the rant's a mirror of my mood: At sudden thunder of the mounting swan I turned about and looked where branches break The glittering reaches of the flooded lake. Another emblem there! That stormy white But seems a concentration of the sky; And, like the soul, it sails into the sight And in the morning's gone, no man knows why; And is so lovely that it sets to right What knowledge or its lack had set awry, So atrogantly pure, a child might think It can be murdered with a spot of ink. Sound of a stick upon the floor, a sound From somebody that toils from chair to chair; Beloved books that famous hands have bound, Old marble heads, old pictures everywhere; Great rooms where travelled men and children found Content or joy; a last inheritor Where none has reigned that lacked a name and fame Or out of folly into folly came. A spot whereon the founders lived and died Seemed once more dear than life; ancestral trees, Or gardens rich in memory glorified Marriages, alliances and families, And every bride's ambition satisfied. Where fashion or mere fantasy decrees We shift about - all that great glory spent - Like some poor Arab tribesman and his tent. We were the last romantics - chose for theme Traditional sanctity and loveliness; Whatever's written in what poets name The book of the people; whatever most can bless The mind of man or elevate a rhyme; But all is changed, that high horse riderless, Though mounted in that saddle Homer rode Where the swan drifts upon a darkening flood.

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