September
1913
September - context Summary
Composed in 1913
Yeats' poem, subtitled 1913 and collected in Responsibilities and Other Poems, expresses his disillusionment with contemporary Ireland while honoring earlier revolutionaries. He contrasts pragmatic, money-minded present-day Irish with the idealistic exiles and martyrs—Emmet, Tone, Fitzgerald, O'Leary—whose sacrifices he believes have been forgotten or betrayed. The poem mourns lost Romantic Ireland and questions whether past struggles achieved their aims.
Read Complete AnalysesWhat need you, being come to sense, But fumble in a greasy till And add the halfpence to the pence And prayer to shivering prayer, until You have dried the marrow from the bone? For men were born to pray and save: Romantic Ireland's dead and gone, It's with O'Leary in the grave. Yet they were of a different kind, The names that stilled your childish play, They have gone about the world like wind, But little time had they to pray For whom the hangman's rope was spun, And what, God help us, could they save? Romantic Ireland's dead and gone, It's with O'Leary in the grave. Was it for this the wild geese spread The grey wing upon every tide; For this that all that blood was shed, For this Edward Fitzgerald died, And Robert Emmet and Wolfe Tone, All that delirium of the brave? Romantic Ireland's dead and gone, It's with O'Leary in the grave. Yet could we turn the years again, And call those exiles as they were In all their loneliness and pain, You'd cry, 'Some woman's yellow hair Has maddened every mother's son': They weighed so lightly what they gave. But let them be, they're dead and gone, They're with O'Leary in the grave.
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