I Stood in Venice
From Childe Harold's Pilgrimage
I Stood in Venice - context Summary
From Childe Harold's Pilgrimage
This short excerpt from Childe Harold's Pilgrimage (published 1812) records Byron’s travelogue voice encountering Venice. The speaker contrasts the city’s former imperial grandeur—its ceremonial power, riches, and cultural prestige—with present decay and silence. Though monuments crumble and music fades, Nature preserves Venice’s beauty and memory. The passage functions as a melancholic reflection on historical change and the poet’s own itinerant perspective within a semi‑autobiographical narrative.
Read Complete AnalysesI stood in Venice, on the Bridge of Sighs, A palace and a prison on each hand: I saw from out the wave her structures rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Looked to the wingéd Lion's marble piles, Where Venice sate in state, throned on her hundred isles! She looks a sea Cybele, fresh from ocean, Rising with her tiara of proud towers At airy distance, with majestic motion, A ruler of the waters and their powers: And such she was - her daughters had their dowers From spoils of nations, and the exhaustless East Poured in her lap all gems in sparkling showers: In purple was she robed, and of her feast Monarchs partook, and deemed their dignity increased. In Venice Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone - but Beauty still is here; States fall, arts fade - but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!
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