Henry Wadsworth Longfellow

Ultima Thule: the Poet and His Songs

Ultima Thule: the Poet and His Songs - meaning Summary

Songs from the Misty Unknown

Longfellow presents the poet as a passive conduit for inspiration that arrives mysteriously, like birds, stars, or tides. Songs originate in a 'misty' realm beyond human ownership; the poet receives fame and praise but does not truly possess the creations. Haunted by voices day and night, he must yield to an imperative figure — the Angel — who commands him to write. The poem meditates on creativity as gift, duty, and uncanny compulsion.

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As the birds come in the Spring, We know not from where; As the stars come at evening From depths of the air; As the rain comes from the cloud, And the brook from the ground; As suddenly, low or loud, Out of silence a sound; As the grape comes to the vine, The fruit to the tree; As the wind comes to the pine, And the tide to the sea; As come the white sails of ships O'er the ocean's verge; As comes the smile to the lips, The foam to the surge; So come to the Poet his songs, All hitherward blown From the misty realm, that belongs To the vast Unknown. His, and not his, are the lays He sings; and their fame Is his, and not his; and the praise And the pride of a name. For voices pursue him by day, And haunt him by night, And he listens, and needs must obey, When the Angel says: 'Write!'

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