The Venetian Gondolier
The Venetian Gondolier - context Summary
Published 1843 in Belfry
Composed while Longfellow was a Harvard professor and published in 1843 in The Belfry of Bruges and Other Poems, "The Venetian Gondolier" sketches a serene nocturne in Venice. The speaker watches a gondolier serenade beneath moonlight, linking intimate music and religious reverence with calm seascapes. The poem foregrounds atmosphere and romanticized foreign setting rather than narrative development, offering a tranquil vignette of love and prayer at night.
Read Complete AnalysesHere rest the weary oar! -- soft airs Breathe out in the o'erarching sky; And Night!-- sweet Night -- serenely wears A smile of peace; her noon is nigh. Where the tall fir in quiet stands, And waves, embracing the chaste shores, Move o'er sea-shells and bright sands,- Is heard the sound of dipping oars. Swift o'er the wave the light bark springs, Love's midnight hour draws lingering near: And list!-- his tuneful viol strings The young Venetian Gondolier. Lo! on the silver-mirrored deep, On earth, and her embosomed lakes, And where the silent rivers sweep, From the thin cloud fair moonlight breaks Soft music breathes around, and dies On the calm bosom of the sea; Whilst in her cell the novice sighs Her vespers to her rosary. At their dim altars bow fair forms, In tender charity for those, That, helpless left to life's rude storms, Have never found this calm repose. The bell swings to its midnight chime, Relieved against the deep blue sky!-- Haste!-- dip the oar again! -- 'tis time To seek Genevra's balcony.
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