Emily Dickinson

A Clock Stopped Not the Mantel’s

A Clock Stopped Not the Mantel’s - meaning Summary

Death Halts the Puppet

The poem presents a small domestic scene—a mantel clock whose little bowing puppet suddenly stops—then expands into a meditation on mortality and indifference. Dickinson contrasts the motionless figurine (a stand-in for a living being) with the indifferent mechanisms and observers: the clock’s gilded hands keep nodding, the shopman and doctors are powerless. Time’s measured progression continues despite the puppet’s cessation, creating a stark separation between human fragility and the impersonal persistence of time. The tone is quietly ironic and unsentimental, focusing on the inevitability and isolation of cessation within ordinary objects.

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A clock stopped not the mantel’s Geneva’s farthest skill Can’t put the puppet bowing That just now dangled still. An awe came on the trinket! The figures hunched with pain, Then quivered out of decimals Into degreeless noon. It will not stir for doctors, This pendulum of snow; The shopman importunes it, While cool, concernless No Nods from the gilded pointers, Nods from seconds slim, Decades of arrogance between The dial life and him.

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