Poem Analysis - The Notice That Is Called The Spring
Introduction: A Frail Promise
Emily Dickinson's "The Notice that is called the Spring" initially presents itself as a gentle anticipation of spring's arrival. The tone is almost whimsical, as the speaker anticipates the change of seasons. However, a subtle unease creeps in as the poem progresses, darkening the initial optimism with reflections on mortality and the fleeting nature of beauty. The poem shifts from hopeful expectation to a stark contemplation of life's brevity. This contrast is central to understanding Dickinson's message.
Spring's Fleeting Invitation
The poem's primary theme is the illusion of renewal. Dickinson uses the image of spring – "The Notice that is called the Spring" – not as a symbol of rebirth, but as a temporary distraction from the inevitable. The opening lines suggest a welcoming of spring, urging the "Heart" to put aside its "Hoary work" and rest. This is presented as a respite, a "Rosy Chair," but this invitation is quickly undermined by the somber realities introduced later in the poem.
Mortality's Shadow Over Beauty
Linked to the theme of illusory renewal is the pervasive presence of mortality. The poem juxtaposes the vibrancy of spring with the stark reminder of death. The lines "Our salary the longest Day / Is nothing but a Bier" serve as a blunt acknowledgment that even the fullest, longest days of life ultimately lead to death. This imagery casts a shadow over the earlier, more hopeful tone, suggesting that the beauty of spring is only a transient escape from the underlying truth of human existence.
The Bitter-Sweetness of Existence
A more subtle theme that emerges is the bitter-sweetness of existence. Even the "Flowers" do not "keep" any "House," implying that beauty itself is transient and has no permanent home. Similarly, the "Birds enamor Care," suggesting that even joyful experiences are intertwined with worry and concern. This complex interplay of joy and sorrow contributes to the poem's overall sense of melancholy and resignation.
Recurring Symbols: From Rose to Bier
The poem contains potent symbols that emphasize its themes. The "Rosy Chair" initially symbolizes comfort and respite, a temporary escape from the "Hoary work" of life. However, this symbol is directly contrasted with the "Bier," the instrument of death. This juxtaposition reinforces the poem's central message that even moments of joy and comfort are ultimately overshadowed by the inevitability of mortality. This contrast makes readers question if the Rosy Chair is not merely a pretty way to decorate the path to the Bier.
Concluding Thoughts: An Acceptance of Transience
In conclusion, "The Notice that is called the Spring" is a poignant reflection on the fleeting nature of life and the illusion of renewal. Dickinson masterfully uses vivid imagery and contrasting symbols to explore the themes of mortality and the bitter-sweetness of existence. The poem ultimately suggests a quiet acceptance of transience, acknowledging that even the most beautiful moments are inevitably intertwined with the reality of death. Its significance lies in its honest and unflinching portrayal of life's complexities and its gentle reminder to appreciate the beauty of the present moment, even in the face of its inevitable end.
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